tag:blogger.com,1999:blog-27557058.post817422264887194136..comments2024-01-18T05:34:40.549-07:00Comments on Behind The Lens: Harman Gloss FB AlGeorge Barrhttp://www.blogger.com/profile/06745541057122821349noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-27557058.post-23435936184075743492007-10-15T17:50:00.000-06:002007-10-15T17:50:00.000-06:00John:I'm curious about your experience with the sp...John:<BR/><BR/>I'm curious about your experience with the spray - are you using a can or an air brush? If a can, do you have difficulty with the can clogging between uses, does the spray get more uneven with interval use?<BR/><BR/>GeorgeGeorge Barrhttps://www.blogger.com/profile/06745541057122821349noreply@blogger.comtag:blogger.com,1999:blog-27557058.post-67374093947523172792007-10-15T17:06:00.000-06:002007-10-15T17:06:00.000-06:00I, too, have had fine initial results with this pa...I, too, have had fine initial results with this paper, using an Epson 2200 with Epson ink.<BR/><BR/>What really excited me is what happened when I sprayed the prints with Lyson Print Guard: They looked even better, with a significant darkening of the blackest areas, and more important, the adding of a beautiful depth.<BR/><BR/>The best way I can describe the effect is that it closely resembles the depth of the "old" Portriga paper. Without the spray, the image seems to sit on the paper, but with it, it almost seems like part of the paper.<BR/><BR/>BTW, the increase in depth adds separation in the lower values that I've never before obtained with an inkjet print.<BR/><BR/>Like you, I'm continuing my evaluation, but for the first time since I started printing digital prints, I'm actually excited about the potential.<BR/><BR/>John SantanaAnonymousnoreply@blogger.com