Over the next several weeks, perhaps months, I'm going to write about composition, "the strongest way of seeing" according to Edward Weston.
A good place to start is to think of a possible image as a series of compositional elements. While these may be things that exist in the real world, just as easily and importantly they can be elements that only apply to a photograph.
For example, in a top half portrait, the space between the arms and the edge of the image is a shape, likely part of the out of focus background, but none the less for the purposes of the image it is a real element, with a shape and defined edges.
A strong shadow is a compositional element, even if you can't bottle it. A reflection on water can be a compositional element - or perhaps just the waves caused by a puff of wind on part of a pond which changes the tone of that part of the pond significantly.
You might find it helpful in looking at an image in terms of compositional elements to squint, or take your glasses off (if near sighted)or press the depth of preview lever to darken the view through the viewfinder.
Simply being aware of the elements that make up a composition already puts you ahead when it comes to positioning your camera and framing to make a more interesting image. There's a whole lot more to these elements and I'll discuss the relationship of the elements next time.
Monday, May 04, 2009
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