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Musings on photography, the art of creating images, technical talk, useful tips, rants and ravings of a published photographer of 40+ years experience.
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Blog Archive
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2007
(479)
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September
(51)
- Not Exactly A Car Wash...
- Getting That All Important Feedback
- Wall Of Shapes
- Work Gloves
- And More...
- Guess Where I Was, Again....
- Cave Roof
- Andy Ilachinski Gets A Book Published
- Bedroom Image
- Working The Machine Shop
- Tripod Features
- A New Camera
- Gary Nylander On Using A View Camera
- Tripod Use
- Out For A Walk
- Machine Shop 5
- Brian Kosoff
- Machine Shop Variation
- Photo Net
- Finally, New Image Of The Month
- Heat Exchanger
- Canon 1Ds3
- Is The View Camera Dead?
- On Glossy Dried Matte (or the modern equiv.)
- Print Prices
- New Web Gallery From Independent Machinery
- The Old Shop
- Monochrome Is Mighty Nice
- Abstract In Steel
- Change Of Plans, Be Flexible
- More On Our Market And Pricing
- Two More From Machine Shop
- Back At The Machine Shop
- Just Who Are Our Market?
- Presentation
- Just An Old Photo Reworked
- The Value In New And Different
- Immortality
- Wrench From Machine Shop
- Uwe On HDR
- More From Museum Of The Regiments
- On A Personal Note
- Sketches Of Frank Gehry
- Architecture As Subject
- Reply From Zenfolio
- Badlands 3
- Zenfolio
- And Another
- Badlands Revisited
- Another Web Gallery Style
- Deadwood Portfolio
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September
(51)
About Me
- George Barr
- I'm a part time working fine art photographer, full time family physician, and occasional model railroader.
2 comments:
George, your compositional skill is absolutely exemplary...a veritable textbook for aspiring photographers! Looking at just about each and every image, and wondering about "a little to the left?", "a little crop there?",..and, nadda, not a thing! Just wonderful, exquisite vignettes on focusing on precisely what's needed. Superb.
ilachina - I tend to agree with you. Certain from reading & viewing George's work I have become a lot more careful with my compositions, especially the edges.
Iteresting, then to compare the 2 shots of the barrel (4th one here, 1st one last post). I prefer the colour treatment but the composition of the B&W. The original composition, for me, falls off the the bottom right and the dark patches along the right edge are distracting.
Show how a subtle change in composition can make a real difference.
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