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Musings on photography, the art of creating images, technical talk, useful tips, rants and ravings of a published photographer of 40+ years experience.
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Blog Archive
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2007
(479)
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February
(39)
- Making A Portfolio
- More Driftwood
- But Does It Work
- Success Is Fleeting
- Sandisk Read Only Memory Cards - the Future?
- Canon 1D3 and What It Bodes for a 1Ds3
- Turning Failure Into Success
- Stitching Old Images
- Dealing With Disappointment
- Love Those Stairs
- Papers For Fine Art Prints
- Papers For Fine Art Prints
- Carreer, Family And Photography
- Exercise In Angles
- Subtle Isn't Synonomous With Weak
- Does An Image Need A Centre Of Interest?
- It Takes Time
- Autofocus?
- How Long And Narrow Can A Print Be?
- Jura Canyon Blend
- Grump About Camera Bags
- The Edges Of An Image
- Wither Black and White Or Colour?
- Inferno
- Workflow
- Finding Inspiration
- Matte Or Semi-Gloss
- Wood Abstract
- Abstract In Steel - Exercise In Cropping
- Limits Have Their Uses
- Are You Lazy?
- Insisting On Using All Of The Image
- On Keeping A Filter On Your Lenses
- More From The Floor
- Jeans
- Standing In The Kitchen, Looking Out...
- Examples Of Cropping
- Cropping 2 - Reframing After The Fact
- On Cropping
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February
(39)
About Me
- George Barr
- I'm a part time working fine art photographer, full time family physician, and occasional model railroader.
2 comments:
Hi George,
Of the two jeans photos, I find this one, for me, more effectively says folds, patterns, shadows and abstraction. I think this is because it is closer to the subject and excludes the surrounding floor. I think this one is much more about what this subject is "about". Wellll, and this is about in camera cropping too.
This isn't actually cropped - it's three images stitched with the 90 ts-e (though I could just have easily used an ordinary lens and swung it).
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