Here's some statistics for both the photographers and photographs for 'Why Photographs Work'
the youngest photographer is 29, the oldest 85, the majority of the photographers are in their 50's and 60's and several are within 4 years of my age (61), which I didn't find out until after selecting the images. Three were born the same year as me (1949).
I have met only 7 of the photographers.
The newest photograph was made in 2009, the oldest in 1958
11 images were made with 4X5
3 images were made with an 8X10
1 image was made with a 5X12
4 images were made with 35 mm. film
1 image was made with a Polaroid SX70
1 image was made with an iPhone
14 images were made with a digital camera, inclluding one that was medium format digital
13 were made with medium format film
1 was made with 6X17
1 image was made with a flat bed scanner and NO camera (at least in the usual sense)
1 was made with a home made camera AND lens
24 images were made in colour, 28 in black and white
about a third of the photographers have significant musical background, but two thirds DO NOT
most of the photographers make most of their income from photography - either print making or teaching
8 of the photographers are women
countries represented include:
USA, Canada, Mexico, U.K., Germany, Sweden, Bulgaria
14 images include people (if you include ghosts, 13 else)
6 of the images are constructed of multiple images - stitched or placed or overlaid
2 of the images are multiple exposures, both onto film, a third is a sandwich of two 4X5 transparencies.
All of the photographers for this book GAVE their images without charge, also their time and their writing and I am profoundly grateful for their generosity.
Only two photographers had to drop out of the project, one because of other very time consuming commitments, another over a misunderstanding brought about by a lost email. Only one photographer refused outright to participate and to be fair it was his assistant who thought the project unworthy - I think he was wrong. One photographer dropped out when he found that there was already an image using similar techniques to be in the book and he didn't want one of his older images to represent him.
The vast majority of the photographers let me make the entire decision about which image to choose, a few had preferences and NONE dictated which image I should use.
Some of the images are iconic, extremely well known. Others I'd be surprised if you have seen.
Six of the photographers frequently work in platinum/paladium.
A good number of the images are not what I would consider well within my comfort zone, yet each and every one has been fascinating and even the effort to select images and then write about them has broadened my own horizons, widened my tastes.