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This could have been made with film and a wet darkroom.
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Musings on photography, the art of creating images, technical talk, useful tips, rants and ravings of a published photographer of 40+ years experience.
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2008
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January
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- Canon 5000 Woes
- Camera Insurance
- In Praise Of A Modest Sized Over The Shoulder Bag
- Learning - Scott KelbyTraining
- Brett Weston
- Parts Department
- San Francisco Workshop
- Viewing Frame
- Reality Vs. Fiction
- Checking On My Book
- Small Differences, Big Differences
- Alex, Where Are You?
- Clutter - Can It Be O.K.?
- Roof
- Oddest Shapes
- Wall Of Machine Shop
- Still Finding Things At The Machine Shop
- Same Steps, Different Result
- Fruit Bowl Workflow
- Fruit Bowl More Editing
- Fruit Bowl
- Flour
- Start Of A Project?
- Portfolios - Consistency With Variety
- Prognostication
- Abstract
- Bridge Abuttment
- Wire Forms
- Rust
- Slow and Thoughtful Vs. See and Grab
- Medicine Comp. To Photography
- Ian MacEachern
- More On Cropping/Framing
- Dry Spell
- Between Interest and Working The Scene
- Found Objects
- Concrete Bridge Support
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January
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About Me
- George Barr
- I'm a part time working fine art photographer, full time family physician, and occasional model railroader.
5 comments:
Nice. I much prefer it to the Bridge Abutment. I know how to do this in a wet darkroom but how did you do it in digital? Cheers!
O.K. - so it's a straight photograph of some glad food wrap sitting on my kitchen counter, lit by the under cabinet fluorescents. The image is inverted is all. I used colour balance to add a tint, then modified it a little with hue/saturation.
George
Interesting abstract, I like the mystery behind it.
I think it is a strong candidate to be one of the "Best of Barr" portfolio.
Amazing.
I probably would not have taken the shot in its non-inverted state, but like that it's superb!
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